Mariya Prytula

"I Told You There Were Fairies, Connor!" Process

I enjoyed making this painting so much, that I've wanted to share some of my process with you!

Though I haven't taken formal painting or drawing classes, I've always been super entranced by painting step-by steps that other artists had put together. Figuring out where to go next is the hardest part in creating a work of art. It's a bit like playing chess, though honestly I wouldn't know. I lose at checkers all the time.


It all started with a trip to Boulder, Co. While wondering in the neighborhood at the feet of the Flat Irons, I noticed a boulder in someone's yard, where someone placed a lantern. Seemed like a perfect place for fairies to live. 



Later that night, I sketched "The Town of Troll's Back" which would serve as the inspiration for "I Told You....". 


And blissfully I started sketching it for a large piece.....and it just wasn't going where I wanted it to go. That's OK! It's much better to restart sometimes, than keep mucking away and getting more and more frustrated. Sometimes you need a breath of fresh air. 


So I restarted using the original idea as a lose inspiration. But now I wanted a party. More specifically a kind of woodland craic. 

Sometimes with watercolor, you're still able to see the graphite pencil underneath the paint. Here, I wanted to try something new. A Light Peach Col-Erase was used to outline the major shapes and creatures and give a little warmth to the edges. I honestly just wanted to leave it at this stage :)


First wash of color is always nerve-wrecking! It always either makes or breaks a painting.Though I normally don't use salt, I wanted to use a little sprinkle to give the stars a little randomness.


A little definition in the background


A face! Painting faces in watercolor is always a bit of a challenge. Lay it wrong, and there's no going back. 


I've always wanted red hair. 


Some guests are coming to enjoy the music. 


Finally getting to the troll. 


A little detailing, and next would be uniting the elements. Then...


Final! Hope this was fun and informative. If you have any questions or feel stuck, shoot me an email and I'll answer as best as possible. 

I'm off to join a party in the woods! 


Some of my favourite questions from people are “How do I get started with watercolor?” and “My cousin loves art. I’d like to encourage him. What do you recommend getting for his Birthday?”

I've been told that watercolor is one of the easiest mediums to pick up and hardest to master. But have no fear, these supplies will give a solid foundation to practice and experiment.

For many years, college and a very demanding job limited my time and space available for art. With that in mind, I’d like to recommend the following tools which have been thoroughly tested and approved.



Winsor&Newton Watercolor Sketcher’s Pocket Box

Yes, you can get a bigger and better one. But honestly, you can buy it for about $16, and it will serve your for years. The limited number of colors will not overwhelm the budding artist, but at the same time they won’t feel limited. Though you’ll likely rarely use Chinese White, some artists prefer to mix it in to give a hazy quality to their color or use it on toned paper. This palette is perfect for traveling, available in most art stores and you won’t feel too guilty if you lose it.


Daniel Smith Watercolor 238 Dot Color Chart

Since you really don't have any glazes in watercolor, you really need to understand your pigments. This color chart has actual samples of paint on it that you can play with, as well as their descriptions - lightfastedness, granulation, permanency and transparency. It has been invaluable to me.









Paper - get the right stuff

Fluid 100 Watercolor Paper Blocks

Not to be a bearer of bad news, but paper is not something you can skimp on in watercolor. Sorry. Printer paper you used as a kid will buckle. Student varieties are ok, but you really have to work them into submission. Different paper formulations will give you different effects and will make you either love or hate the medium. Nothing is more frustrating than working on the wrong surface.

To negate the need to stretch the paper and limit warping, I strongly recommend getting a watercolor block. It’s a stack of paper that has glue on two or four sides, sheets are peeled off when dry, and it’s perfect for traveling. Brands like Arches and Fabriano are wonderful and standard, but not easy on the wallet. A relative newcomer is Fluid 100 which is 100% cotton and one of the best ones that I’ve tried so far. 

You get also cut large sheets to the size you need and use artist tape to secure the paper on all sides to a solid waterproof surface.

For beginners, I recommend cold-press. It can make mistakes feel like happy accidents and doesnt need as much intent behind the stroke. Hot press, rough, and handmade papers are some of the other available choices.

Why don’t I recommend a watercolor sketchbook? Good ones are often pricey, and you’ll be afraid to make a mistake which will haunt your pristine pages. Sketchbooks have to be perfect right? Nope, but it’s a tough expectation for beginners to overcome.

Brushes - Stay away from brush packs

Beste — Round — Creative Mark — Size 6 You can spend $20-$30 per brush, but unless you are a professional artist working on highly detailed works day in and day out, synthetics will serve you well. One of the better and multipurpose ones is Beste line from Creative Mark. I have found them back in high school, and they have served me well for the past 9 years. These brushes come to a rather sharp point at the end, which makes them incredibly versatile. I recommend getting a size 6 round and 1/2 flat brush for washes. That’s all you really need to get started. These brushes are widely available, low cost, and once again you won’t cry over loosing one (or two the way I did) in a creek in the Smoky Mountains.

If you do want to give a lovely and nice gift for someone who likes to include a lot of detail and is careful with their tools, purchase Winsor and Newton Series 7 brush in size 1. It is made with hair from the tail of a cute little mink, and as much as I try not to use animal products where I can, I have been using this brush and another sized 0 on many detailed paintings for the past year, and it shows no signs of wear. Otherwise, I’d have to purchase a new brush at the start of each painting which both creates a lot of waste and adds up quickly. This is the preferred brand of many contemporary watercolor illustrators working today.

There are a lot wonderful in-between brushes available on the market which provide a great value as well. But the ones mentioned above will lay a strong base for further experimentation.

Books - you can never have enough right?

“Painting with Watercolor, Pen & Ink” by Claudia Nice

Anything by her is wonderful. This book is comprehensive and easy to understand for beginners and pros alike. I’ve looked through many of her works, and this is the one I own.

“Artist’s Manual: A Complete Guide to Painting Materials and Techniques” — Angela Gair

This will not teach you how to paint, but it gives a thorough, well illustrated, and inspirational information on different media and techniques. I have spent many hours pouring over it.

“Color and Light: A Guide for the Realist Painter” — James Gurney

James Gurney spent many years studying the effects of light and compiled the information into a wonderful resource that many professional artists keep within an easy reach. It took me forever to discover it, probably because it is not in stock at most major art supply stores. Strongly recommended.



That’s all you really need to get started. Let me know if you have any questions and happy painting! Feel free to email me at if you have any questions.